“Everything about the Holocaust already seems so thoroughly unreal, as if it no longer belongs to the experience of our generation, but to mythology…”
Via Dolorosa would have been more effective if it had taken the form of a travel essay rather than a performance piece.
It took me until I was nearly done with The Betrayers to step back and realize that one reason I found it so absorbing is that alienation plays no part.
There’s room to wonder if Vladmir Jabotinsky would have accepted Menachem Begin, Ariel Sharon and Benjamin Netanyahu as his legitimate Zionist heirs.
Multi-talented performer Ibrahim Miari has written an insightful and funny one-man show that draws on his own life as the son of an Israeli Jewish mother and Palestinian Moslem father born in what is now the Israeli city of Akko.
In “Some Day,” Shemi Zarhin has masterfully woven together a tangle of bittersweet tales and elusive dreams. it is a book that is a pleasure to read and reread.
There are so many characters to root for in “The Wanting” that you tend to read with your head swimming, and with an increasing sense of urgency as the senseless is revealed to have a logic of its own.
Israel has genuine enemies without, to be sure. But “The Gatekeepers” leaves the impression that it has no less mortal an enemy within.
The stories of Israeli writer Etgar Keret are diverse, one-of-a-kind safety nets, spun out of humor, tenderness and wild imaginings.
Israeli Stage’s readings are consistently the best attended in the Boston area, thus demonstrating that there is a great appetite for Israeli culture beyond folk dance and hummus.