Who cares how the chairs are arranged or even who sits on them on the deck of the Titanic-“Globe”? As the popularity of online publications and blogs grows, the “Globe”’s tepid cultural coverage has become increasingly superfluous.
Revving up marketing machinery raises some uncomfortable questions: Why should donors give funds to a theater if their money is going to pay for focus groups and demographic studies rather than to support the work of artists?
By Bill Marx On June 21, the Boston Foundation announced that the Citi Performing Arts Center (CPAC, formerly the Wang Center for the Performing Arts) would be receiving $225,000. This is not only the largest single grant given to any institution for the quarter; it is the most money (by a long shot) the Wang/CPAC […]
By Bill Marx Criticism of the fine arts is dying in regional newspapers, but don’t waste too much time mourning the loss. Arts blogger and Wall Street Journal theater critic Terry Teachout’s recent article on how arts criticism is vanishing in regional newspapers hits the nail on the head, though he is either too considerate […]
Crime memoirs about Irish mobster Whitey Bulger have become a corrupt and pathetic cottage industry. By Jay Atkinson A large, jowly, humorless man of 49, Kevin Weeks, the one-time go-fer and strong arm for the notorious Boston crime boss, James Whitey Bulger, hurt and maimed people for a living. While his boss ran most of […]
Years of bitter and expensive litigation as well as the challenging nature of her work have put the artistic legacy of dance giant Martha Graham in crisis. By Debra Cash Imagine, for a moment, that the only people who could experience Vincent Van Gogh’s paintings were those who had lived during his lifetime. Future generations […]
The controversy over the appointment of a woman to become the conductor of the Baltimore Symphony Orchestra boils down to issues of power and gender. By Mark Kroll It’s been a tough year for conductors. In February, David Miller was in southern France conducting “Don Giovanni” with his Bulgarian orchestra when French police burst in […]
A new dance show by Rennie Harris serves as a valuable response to MTV’s commercialization of hip hop.